Bong Joon-Ho has brought us another thematically audacious, culturally piercing, and remarkably unique picture, and he has finally been rewarded the Oscar he has deserved for years. To attempt to explain or categorize Parasite is folly, because much of the joy of viewing it is the surprise, and the post-watch unpacking of its dense plot. Trying to...

A technically brilliant juxtaposition of sweeping beauty and the raw horror of warfare. Sam Mendes brings a new flick to the forefront of Oscar discussion. I am usually skeptical of directors who are intent on providing a technically eccentric medium for their flick. Depending on the budget, it can be difficult to excel in a new format without...

Mangold manifests the Ford image in his newest flick- a reliable, traditional, and accessible action-drama with emphasis on the latter.

The Rise of Skywalker is the result of a collection of minds with different ideas of what Star Wars means coming together to create an ending to a polarizing trilogy that will please as many fans as possible.

You can hardly call this a comic book film. It is a character piece about a poorly defined mental patient in a hateful city that was catapulted to the mainstream due to the cultural recognition of Batman villains.

I have a lot of problems with this film, but the main one may be surprising. The first half is boring.

Stranger Things 3 is eight episodes of maximalist entertainment that is constantly edging towards the "too much of a good thing" line; sometimes it crosses it, but more often than not, it hits the mark.

Inglorious Basterds is a perfect film.